Monday, August 24, 2009

The Studio Artists have arrived!

This morning we had a little meet and greet with our new Studio Artists. There were some familiar faces like soprano Heather Phillips who recently took first place at the 2009 National Opera Association Vocal Competition; and pianist/coach Naoko Suga (who was able to work hard in L.A. this summer) both of whom were with us last season.


New to the ranks include baritone, Eric Brown from Washington D.C.; Sarah Klopfenstein, a mezzo-soprano from Fort Worth, Texas both of whom are University of Kentucky Graduates. Craig Philip Price a bass- baritone who got his masters from Manhattan School of Music; Johnathan Stinson, a baritone whose work with Lyric Opera of Kansas City included a World Premiere of John Brown. Also among the new singers, is tenor Clark Sturdevant who will be the new Artist in Residence for Dayton Opera. We have also enlisted the talents of University of Louisville masters student Lydia Cepeda as an apprentice.

You can read their full bios on Kentucky Opera's website here.

Along with these talented young professionals, Kentucky Opera's Studio Artists program has deepened its educational role by developing a third tier to include four interns from the Youth Performing Arts School who will participate in the Kentucky Opera chorus.

Their first tour of duty will include performing at the Guild of Kentucky Opera's event, Viva Voce on Thursday, August 28. Get your reservations now by calling 502.584.4500!


They will be working hard through the season with Traviata, Of Mice and Men and Hansel and Gretel. Beyond the main stage commitments, they will also be responsible for a Madama Butterfly concert with Owensboro Symphony as well as the Opera Bound program and the multitude of other school tours.

Thursday, August 13, 2009

KYO receives Economic Stimulus


Tuesday, August 11, Gov. Steve Beshear presented checks to each of the 18 organizations and to the group of arts workers whose jobs were preserved through the economic stimulus funding. This federal funding is a part of the American Recovery and Reinvestment Act of 2009 (ARRA) provided to Kentucky through the National Endowment for the Arts and granted through the Kentucky Arts Council.

Kentucky Opera was one of 12 of the groups to receive the highest amount of $20,000.

"The arts industry in Kentucky has made significant contributions to our Commonwealth as well as local economies by generating tax revenue and enhancing cultural tourism," said Gov. Beshear. “This federal funding will help preserve jobs within our art industry during this critical time when our nation is facing such a tough economic downturn.”

"We were fortunate to have a little over $300,000 in resources from the NEA to fund the 18 organizations that demonstrated the strongest need and best plan to sustain jobs or pay for artists' fees,” said Lori Meadows, executive director of the Kentucky Arts Council.



Photo (l. to r.) : Lindy Casebier, Deputy Secretary, Tourism, Arts and Heritage Cabinet; Todd Lowe, Chairman, Kentucky Arts Council; Deanna Hoying, Director of Education, Kentucky Opera; Tanja Eikenboom, Director of Development, Kentucky Opera; Gov. Beshear; Marcheta Sparrow, Secretary, Tourism Arts and Heritage Cabinet; and Lori Meadows, Executive Director, Kentucky Arts Council.

Wednesday, July 1, 2009

Subscribing can save your life!

Our friends at the Kentucky Center made us aware of a recent BBC report on the cardiovascular effects of opera. The study by Circulation journal states:

"The researchers tested out various combinations of music and silence on the volunteers and found tracks rich in emphasis that alternated between fast and slow, like operatic music, appeared to be the best for the circulation and the heart.

Verdi's arias, which follow music phrases that are 10 seconds long, appeared to synchronise perfectly with the natural cardiovascular rhythm."


With Verdi's Traviata opening the Kentucky Opera season, for your life, for your heart; subscribe to Kentucky Opera today!!

Thursday, June 25, 2009

Did you hear??

Already we are getting excited about the Brown-Forman 2009 Fall Season. Traviata is going to be spectacular with soprano Elizabeth Futral as Violetta. Some may remember Elizabeth from the first season of the Metropolitan Opera HD productions, the world premier of Tan Dun's The First Emperor starring along side of Placido Domingo. Her parents were in the audience at Tinsel Town that day, and were so proud.

Another exciting element of this season is the
risk free subscription
offer from the Fund for the Arts. If you buy a subscription and see Traviata and do not enjoy the experience, Allan Cowen will refund the entire price of your subscription. What have you got to lose?



Lyric Opera of Chicago's La Traviata photo by Dan Rest

Wednesday, May 20, 2009

Where's David Roth??

Last weekend, we were all very busy with the car raffle drawing and the Guild of Kentucky Opera held a birthday party for David.

The winner of the 2009-10 Car Raffle is (drum roll please) Ruth Ann Compton of Washington DC! Congratulations to Ruth who decided to take the $50,000 in lieu of the Porsche. All in all, the Opera exceeded their goal for the car raffle netting about $80,000.
The Guild's birthday party also raised a little coin for KYO. Donations in David's name are still rolling in but we are over $1000 at this point which isn't bad for a little birthday gathering. The invitation only event was held at the studio of Bryce Hudson and was well attended by Guild, Board, and friends.


Now that we are getting into summer, we see more sun and less David. Already, Kentucky Opera's General Director has gone to France to enjoy opera with friends, today he is in Toronto where he will see La Boheme and Mid Summer Nights Dream, and in a couple of weeks he will be in St. Louis. All to hear the artists that may make it to our fair city. Pick some good ones David!

Monday, April 27, 2009

The Wagnerian on Bomhard

During these tough financial times, every single arts organization in our city is making necessary and important decisions to keep its fiscal responsibilities intact without compromising its artistic integrity. Many patrons of the arts have already been heavily involved in making sure that this great city will continue to provide great art. Louisville is known in many surrounding states for its offerings and thus has become a destination for art lovers region-wide. As our respected critic, Andrew Adler, pointed out in his well constructed article in The Courier-Journal on Sunday, April 19 every organization is making strategic moves to consolidate, regroup and rise through the occasion.

As expected, the Fund for the Arts is a vital part of this process. They are always an integral piece in the development and the continuation of the arts that pulsate in our city. As a supporter of the arts I am delighted with their existence. As proclaimed on their web page their mission is to increase revenues for the arts and to enable our community to become the preeminent regional arts center in the United States. The Fund continues to provide financing, facilities and administrative support for twenty-nine area arts groups and programs. This week the 60th Anniversary edition of Bravo came out. The Fund for the Arts magazine has an article listing the 60 persons who have defined the arts in Louisville. Robert S. Whitney, Louisville Orchestra's first Music Director, is at the top of the list which is wonderful. The publication elaborates on the great support the arts in Louisville have appreciated for decades.

As an Opera lover I am always fighting with passion and enthusiasm to provide as much support as I can for this incredible art form, which combines theater, vocal and orchestral music, dance and visual art. That being said, an addition to the Fund for the Arts’ otherwise thorough and diverse list, I would add Moritz Von Bomhard, Kentucky Opera’s founder. For those of you that have forgotten who this great man was, here is a very quick history lesson.

Moritz von Bomhard (1908-1996) was born in Germany. Bomhard received a law degree from the University of Leipzig and a music degree from the Leipzig Conservatory of Music. He moved to the United States in 1935, continued his studies at Juilliard and became a music instructor at Princeton University, where he also directed its orchestra and glee clubs. He eventually settled in Louisville where he founded Kentucky Opera and taught at the University of Louisville. He is well known for his transcriptions, especially to melodies by Strauss. So there you have it…a great man, a great instructor, a great patron of the arts. He is the embodiment of someone who has given to this artistic community not only a respected Opera organization but an enormous legacy throughout these past decades. Moritz Von Bomhard should be recognized in every occasion as not only someone who brought Opera to this city but as someone who has touched many generations of Louisville residents with his artistic integrity and vision. Viva Voce! Viva Kentucky Opera! Viva Moritz von Bomhard.



posted by: Christos "The Wagnerian" Dimitriadis