Meet the Happy Couple!

Along with his  Mo.Joe's Corner webisodes, Maestro Joseph Mechavich has interviewed the cast of Marriage of Figaro so you can get to know the amazing artists who will perform in the second production in the Brown-Forman 2011/12 Kentucky Opera season. Tickets are going fast, so you had better get them now if you haven't yet. Call us at 502.584.7777 or just click here. (The Kentucky Center now has a neat feature on their website where you can actualy select the seats you want.  VERY cool.)

Meet the happy couple, Carlos Monzon will sing the role of Figaro, and Anya Matanovic will play his soon to be bride Susanna.

From the Classical 90.5FM WUOL Lunch and Listen 

Want to see more? Our friends at MetroTV have the entire hour long program available online now. Click here to check it out!

Carlos Monzon

Where do you call home? New York, NY, where my wife and baby are (or if this a more technical question then Guadalajara, where I was born and raised)

Who has had the biggest influence in your career and why? My parents, they built our family from the bottom up. They are still working and they are very present in my life as the inspiration that motivates me to be a better person and a better singer every day.

What is your process when preparing a role? Psychology first, I need to know the story, who I am, where I come from, where I’m going, why some characters interact with me and why some don’t. I read the libretto throughout and translate it completely and do research on it. Then I can start working on the music, and, the composer, through the music, usually answers questions that were left unanswered by my research on the piece.

What aspects of your character do you find the most rewarding? Being the “hero” of a story is always rewarding, but mainly Figaro is a very open and transparent person and that’s very refreshing since, with my type of voice, I get to play the villain a lot.

What are the most challenging aspects of your character? Honesty, the simple fact of having to ‘act honest’ is an oxymoron; and considering honesty is possibly one of the strongest attributes Figaro possesses, I believe this to be the biggest challenge along with the wittiness required to outsmart the Count.

What is your one guilty pleasure? Gadgets! I’m very passionate about technology.

What music is on your iPod or MP3 player (or music you like besides opera)? Anything from Metallica to Mariachi music, from Radiohead to Cesária Évora, I really like most music when I consider it has been well made and conceived.

What is your dream role and why? I’d love to play the Four Villains in Les contes d’Hoffmann; because they represent more than just an actual evil person or a nemesis. They represent those profound and destructive fears deep inside our subconscious, our split personality… when we become our worst enemy. To me this is one of the most powerful roles to play vocally and histrionically.


Anya Matanovic

Where do you call home? Ah...home. I grew up in the Seattle area and still feel most at home there, but at the moment I am based in NYC. The wonderful thing about traveling to new cities to sing is that each one becomes your home for the duration of the rehearsals and performances. As I was starting this career and working through the challenges of traveling often and being home less and less - my family would quote the beginning of the Emily Dickenson poem - "Where thou art - that - is home".


Who has had the biggest influence in your career and why? There are far too many to name, but it all started with Maria Callas. One listen to the La Divina album at sixteen and I was a changed person. I promised myself that if I could make even one other person in this world feel the way I felt listening to her - then I had to do this. But truly - if I hadn't had the support of my parents every step of the way, I never would have stuck through this.


What is your process when preparing a role? I try to approach each role freshly and to be forgiving with myself. The voice takes time to adjust between different roles and, for me, each new role must settle in my voice over a few months. So I try to start as early as I can with the music and text. I think of it in layers- the line I sing, the text, the rhythm, the harmonies I create and the harmonies around me, the style of the composer, the emotion behind what I am saying, the emotion of the orchestra under me. The way my brain works is that I must work on each of these separately and then start putting them together. Because once you get to the rehearsal process you don't have time to be thinking of any of those things - they should just be there by that point. And that is when the fun really starts....

What aspects of your character do you find the most rewarding? I get to have a blast on stage and sing some of the most beautiful ensembles every written.

What are the most challenging aspects of your character? Keeping track of everything around me and who needs what and which prop goes where - I would be an awful maid! I would have sticky notes everywhere....

What is your one guilty pleasure? BBC period dramas

What music is on your ipod or MP3 player (or music you like besides opera)? Tina Turner, Michael Jackson, Stevie Wonder's Songs in the Key of Life Album, The Beatles, Tori Amos, Glenn Gould, Brahms, Beethoven, Chopin, Bach, Mozart, good mixes from my sister and brother-in-law (though I doubt I could name the bands…but they keep me up to speed on current music coming out), Sondheim and R&H musicals.

What is your dream role and why? Musetta. Luckily, I have already been able to sing it - and in the gorgeous Zeffirelli production in Tel Aviv - where I entered the stage in Act II in a carriage pulled by a horse! She just has fantastic music! She gets to be feisty, but you also see the compassionate side of her in Act IV. And the whole show doesn't ride on her shoulders!

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A very special exclusive offer for Kentucky Opera Subscribers!

In honor of The Marriage of Figaro November 18 and 20.

Thomson Smillie, former general director of Kentucky Opera and an internationally acclaimed speaker and writer on opera, has written a user-friendly introduction for the opera newcomer, full of facts and entertaining stories and opinion for the seasoned opera-lover. 

….. hits exactly the right balance between fact, commentary and anecdote. And it reads SO well.”  John Duffus, arts impresario, Bangkok.

Order on-line [see below] PICK UP YOUR COPY(ies) AT A FIGARO PERFORMANCE and save $4.50! on each copy plus the publisher will DONATE an additional $3 per copy to the Honorary Council’s 2012 Campaign!

Thomson will be at the Marketing Desk in the Brown Lobby to autograph copies if desired.

AN INSERTED FLIER WILL TELL YOU ABOUT OUR CHRISTMAS OFFER: discount + personalized dedication and signature + special mailer TO TAKE THE HASSLE OUT OF HOLIDAY SHOPPING and contribute to Kentucky Opera.

it’s very simple:

go to www.thomsonsmillie.com, click on Ky Opera Figaro at the top of the page, complete the order form, enter KY Opera Subscriber Exclusive code: “Figaro”.  Order and pay online – save $2.00 off $16 published price PLUS save $.12 tax ALSO SAVE $2:63 postage and packing = Total SAVINGS of $4.75 PER COPY.

 Due to incredible demand, Kentucky Opera is now selling tickets for a third performance of Carmen – Friday September 30.  Single tickets range from $35 - $78 and are available by calling 502.584.7777 or visiting KYOpera.org.

General Director, David Roth says “Our Brown-Forman 2010 Fall Season was such a success that in the spring we optioned with all of our artists a third performance of Carmen, to be added if we reached our higher subscription goals. We are already 10% above last season in sales, and currently have limited seats available for our opening night on Friday, September 23^rd. Given that success, we have officially added this public performance, which should accommodate any fan, new or old, who wishes to see this great work.”

Kentucky Opera’s subscription campaign has been extremely successful this season, almost filling the 1350 seat auditorium of the Brown Theatre for the first performance of Carmen. Director of Patron Services for Kentucky Opera, Carla Givan Motes, says, “We have sold 1507 subscriptions to date and are very close to our season goal of 1600 subscriptions.” In 2010 season, the organization sold 1360, which was a 25% increase over the 2009 season.

Kentucky Opera would also like to assure all tickets buyers that each performance of Carmen will have a live orchestra. An agreement should be reached this week with Local 11-637 of the American Federation of Musicians so that Kentucky Opera can begin contracting local orchestral musicians to perform for these services.

The Kentucky Arts Council, the state arts agency, supports Kentucky Opera
with state tax dollars and federal funding from the National Endowment for the Arts.

The Brown-Forman 2011/12 Kentucky Opera Season

Carmen September 23, 25 & 30, 2011

Enemies: A Love Story October 4, 2011

The Marriage of Figaro November 18 & 20, 2011

The Merry Widow February 17 & 19, 2012

Mo.Joe interviews Michael Mayes

In our OVATIONS! Magazine, Maestro Joseph Mechavich interviews Michael Mayes who will be returning to Kentucky Opera to perform the role of Escamillo in the opening production CARMEN (September 23 & 25). Mayes was here last season to play Silvio in I PAGLIACCI.

The OVATIONS! Magazine is sent to subscribers to prepare them for the upcoming opera. It includes information on the composer, the opera, the characters, the setting - basically any information that we can get. In our CARMEN issue, not only does the Maestro interview cast members the stage director, Kristine McIntyre has her "Director's Corner" to discuss her side of the stage.

The OVATIONS! will be hitting mailboxes next week! (If you don't get one, think about subscribing. 502-584-4500 www.kyopera.org)

Here is a bit of the Mo.Joe's interview with Michael Mayes.

MO.JOE: Where do you call home?

M.Mayes: Ft. Worth, Texas, aka The Panther City

MO.JOE: Who has had the biggest influence in your career and why?

M.Mayes: It's hard to really pick one person~ so I'll have to spread the love around a little bit. My agent, Ana de Archuleta has been an incredible friend, promoter, and advisor to me for my entire professional life... Ana took a chance on me back when I was a virtual nobody~ she saw in me something that I couldn't see myself, and over the years, together we've developed a career that hasn't followed the traditional track to notoriety~ but one borne of hard-scrabble determination, fierce loyalty, and an unwillingness to abandon course when things got lean. Ana is a true American success story and my admiration for her increases with every passing year.  (More here in the CARMEN issue of OVATIONS!) 

MO.JOE: What is your one guilty pleasure?

M.Mayes: Sour Patch Kids candy; I can't walk into a movie theatre without loading up~ it's a childhood habit that has never truly been quashed.

MO.JOE: What music is on your ipod or MP3 player?

M.Mayes: Right now I am listening to a band called the Fleet Foxes based in Seattle. They're a kind of baroque folky band that's super mellow. My staples are Willie Nelson, Kris Kristofferson, George Jones, Muddy Waters, Bob Dylan, Waylon Jennings, Metallica, Iron and Wine, Hank Williams, Amber Digby and Midnight Flyer, Loretta Lynn etc... I think I was born in the wrong decade.

Stay tuned for more interviews from Mo.Joe here on the blog. Check out Mo.Joe's latest video on what's so special about CARMEN here.

Madame Butterfly Previews are in!

Yunah Lee as Cio-Cio San in Kentucky Opera's Madame Butterfly. Photo by J. David Levy.

Tonight is the Final Dress Rehearsal for Madame Butterfly and we are expecting a full house. We invite schools and donors to join us for this rehearsal which makes the experience mutually beneficial. Middle & high school students get to see live opera in its grandest setting and our singing actors and musicians have the opportunity to get a live response from an audience. I have heard many stage directors say these students are the best audience. They aren't afraid to react when something is funny or surprising. They are honest and outright with their experiences.

I would like to encourage anyone who wants to see the final opera of the 2010 Brown-Forman Fall Season, don't wait. We honestly only have 100 vacant seats (as of Tuesday 11/16) available for the entire weekend. GET YOUR TICKETS NOW!! 502.584.7777!

Our dear friends at the LEO have given us a great write up after Bill Doolittle spoke with Maestro Joe Mechavich and Soprano Yunah Lee.
Read the article here.

If you missed it, Selena Fry of Louisville.Com spoke with our fabulous wig & makeup designer, Sue Sittko Schaefer. Read her article here.

We were expecting a story yesterday from the Courier Journal. Andrew Adler was going to write a guest spot for us. He spoke to David Roth who is stage directing this piece, and our Cio-Cio San, Yunah Lee. Here it is Wednesday, and no story. Do let us know if you see it~

We have video!!

This video is from Kentucky Opera's 2005 production with Ailan Zhu as Cio-Cio San and Stephen Mark Brown as B.F. Pinkerton.

Sitz what? Whosit Probe??

It's a pretty scary word, Sitzprobe. It sounds like an extremly invasive uncomfortable medical proceedure. The german word translates as "Seated test." In our case, it's a seated rehearsal.

Actually its a very special moment in the opera world. It is the moment when all the pieces come together for the first time. Singers and chorus will sing through the entire opera on stage for the first time with the Louisville Orchestra in the pit of the Brown Theatre. The singers will generally sit down or just stand rather than go through the stage blocking.

This special moment is happening for Kentucky Opera tonight. Up until now, the main stage singers have been rehearsing during the day in the 2nd floor rehearsal room, the chorus rehearses in the evening in the same space, and the orchestra has rehearsed on stage rather than in the orchestra pit.

Tonight we will hear how the voices blend with the orchestra. Most of the guest artists have only SEEN the stage. Tonight they will hear how their voices resonate in the hall. The conductor, Joe Mechavich, will be in the pit with the musicians. The director, our very own David Roth, will sit in the middle of the house with a note taker. Stage management will be back stage, making sure artists are ready, preparing cues and ready to halt the action if something needs tweeking.

Customarily, the rehearsal following the Sitz, is the wandleprobe. I bet you can guess what that means. It means singers may not sing full voice or "mark" but they will add the blocking and maybe there will be more props and they might try costume changes. Lighting cues will be refined. All of this requires the strict coordination of the stage management team. More on them next time.

Elixir Final Dress Rehearsal Video

Clips from the dress rehearsal of Kentucky Opera's performance of The Elixir of Love.
It's going to be a fun production, tickets are still availalbe!
Call 5020.584.7777 or click here.




Selena Frye from Louisville.com was at the rehearsal and seemed to really enjoy herself.
Read her rehearsal review here.

Loving the Elixir

If you haven't heard that Kentucky Opera is doing the Elixir of Love, you must be living under a rock.  Tickets are still available by calling 502.584.7777 or click here.

Emily Albrink as Adina and Victor Ryan Robertson as Nemorino in Elixir of Love. Photo by J. David Levy.

Jeffery Lee Pucket takes a stab at writing on opera for the Courier Journal.

Bill Doolittle chatted with Louisville native Emily Albrink in this weeks LEO Weekly

Selena Frye talked to University of Louisville School of Music Graduate on Louisville.com.

You can still catch the Lunch & Listen we recorded at WUOL on MetroTV this week. 
10/20 at 8pm; 10/21 at 1am & 10am; 10/22 at 1am; 1023 at 4:30pm and 8pm; 10/24 at 1am.
See the entire MetroTV schedule here.

Maestro Joe Mechavich sat down with us last week to talk about The Elixir of Love, the Louisville Orchestra and the wonderful cast perfroming this weekend. 

Musings from the Music Director (Act. I sc.2)

I am writing this entry from my home in Gulfport, Florida as Tropical Storm Bonnie swirls to the south. She is a welcomed guest as she will provide refreshing breezes and much needed rain. But still what echoes in my head are the tunes and text from a very successful run of Susannah at Des Moines Metro Opera.


At every performance the cast, chorus, orchestra and stage crew were fully committed to sharing this story with the audience providing wonderful music making and spectacular theater. Carlisle Floyd attended a performance, just like he did for Kentucky Opera’s amazing Of Mice and Men at the Brown Theater, and he reported to me that he was most happy with what he heard and saw. What was curious was the fact that many people asked me if I was “anxious” or “nervous” that the composer was in attendance. I must say that I found it reassuring that he was there. To walk up to a composer and ask questions or solicit feedback is a cherish opportunity. One certainly can’t ask Herr Mozart, Maestro Verdi or Monsieur Massenet what they intended.

“’Susannah’ clicks into place as a pitch-perfect production…The music weaves hymns and folk tunes with a layer of dissonant 20th century harmonies, punctuated by menacing snarls from the low brass, and conductor Joseph Mechavich delivers the whole thing with both precision and dramatic heft…” Michael Moran, Des Moines Register 7/7/10

I have a few weeks off to grill and go to the beach then on August 6th I will be on the faculty of “Sherrill Milnes and Friends” for a few weeks. Looking forward to Kentucky Opera’s Fall Season at the Brown and enjoy your summer!

Posted for Joseph Mechavich