Friday, October 23, 2009

One Heavy Set!


The Of Mice and Men sets have arrived and the stage hands are busy putting the pieces together.

I just chatted with the stage crew. Apparently the bunk house wall weighs 2,400 pounds. Vern, the leader of the pack, says he's never had to deal with something that heavy. Even the helicopter in Miss Saigon wasn't that heavy. I suppose if the ranch hands have to get in the beds that they need to be pretty substantial.

Vern seemed a bit worried, but I have faith!

Thursday, October 22, 2009

Composer comes to town!!


He is considered the Father of American Opera. Contemporary composers across the country and the globe admire him for his contributions to the craft.
His works combine penetrating social commentary with acute psychological insight. In 2008 he became the first composer to receive the National Endowment for the Arts Opera Honor award. And he's coming to Louisville.


Composer and librettist, Carlisle Floyd, will sit amongst the students of Louisville high schools and colleges on Wednesday night at the Brown Theater to watch the final dress rehearsal of one of his most successful operas, Of Mice and Men.


He has quite a busy schedule for the short time in town. Thursday morning he will chat with Jake Heggie (who came to town for the Kentucky Opera Composer Workshop last year) and Classical 90.5 FM's Daniel Gilliam. The entire conversation will be available later that afternoon online at WUOL.org.


He will also conduct master classes with Kentucky Opera studio artists and students from the University of Louisville School of Music. Very special patrons will be able to dine with him at the President's Council Dinner before he attends the Of Mice and Men opening night performance on Friday, October 30 at the Brown Theatre.


Join the composer for the performance on Friday at 8pm. Call 502.584.7777 for tickets.


If you missed it:
See the Lunch & Listen recorded at the WUOL performance studios on METRO TV (Insight channel 25).

Thursday, October 22 4:30 pm
Friday, October 23 12:00 pm & 11:00 pm
Saturday, October 24 4:00 am
Sunday, October 25 – 9:00 pm

The weekly Metro TV schedule is available on line here.

Friday, October 16, 2009

Our most intimate contact with civilizations long since dust has been through the art which has survived them. Carlisle Floyd

Monday, October 12, 2009

Inside the Composers Workshop

Click image to see more Jan Abbot photos of Enemies, a Love Story

It's appropriate following Andrew Adler's article in the Courier Journal on Sunday, that we hear from one of the participants of this very important program. It just so happens, that one of the Louisville Orchestra interns, Jenifer Thomas is a student at UofL's School of Music and has participated in the Composer Workshop for the two years the program has been going on. She was able to give a bit of insight on her experiences.


Now, after two years of Composer Workshops, I am hit with two huge realizations: 1. I am so blessed to have had the opportunity to work with these living composers, and 2. I am amazed at how much talent composers today have.

Jake Heggie, last year’s composer, was an enthusiastic, personable, and anxious to work with as many students as he could. His love for his music, obvious ability to write for the voice (a task not easily done), and desire for the singer to break out of his or her shell and truly embrace the music were the major tenets of his master classes. He had the singers jumping around the room, shouting, singing directly to other students, or other tactics to allow freedom and expression in singing.

Ben Moore, however, had very different tactics. His background as an actor (as well as a painter, composer and lyricist) allowed him to embrace the more subtle nuances of his songs. His music is more lyrical than Heggie’s, perhaps edging towards musical theatre- which makes sense, of course, since he has written several musicals. The lyricism, however, does not detract from the underlying sadness of many of his songs. His approach to interpreting the pieces was also inspired by his acting background. Singers were asked to identify a feeling that was in harmony with the song, and recreate it. Perhaps this is the influence of method acting? Regardless, it allowed for more understated, gripping performances in the singers- a vast difference from Heggie’s more external style.

Nonetheless, both composers provided tools to be used in performance from this point on. I feel honored to have been able to work with such talented men, on their music, from their point of view. And what a positive outlook modern opera has! With such talented composers out there (with Heggie and Moore being only a small sampling), new operas are compelling, musically interesting, and based on stories to which audiences can relate. What a lucky group of singers (and audience members) we are, to have such talent at our fingertips!

Jenifer Thomas


Along with students from UofL's School of Music and the Academy of Music at St. Francis in the Fields, Kentucky Opera Studio Artists also participate in the Composer Workshop program. To audition for a Studio Artist position with Kentucky Opera, visit the website for forms, schedules and so much more!

KY Opera Mice and Men QUOTE OF THE DAY: You’re the tiger and you’re the dragon, so you are crouching and you are hiding. Michael Cavanagh

Saturday, October 10, 2009

I went to M&M rehearsal today and captured video. Unfortunately I am unable at this point to edit. Once again thwarted by technology. D-:

Friday, October 9, 2009

Getting ready for Of Mice & Men cast/staff Lunch. Adler just finished chatting with our Lennie and George. Its gonna be a great Opera.