Sitz what? Whosit Probe??

It's a pretty scary word, Sitzprobe. It sounds like an extremly invasive uncomfortable medical proceedure. The german word translates as "Seated test." In our case, it's a seated rehearsal.

Actually its a very special moment in the opera world. It is the moment when all the pieces come together for the first time. Singers and chorus will sing through the entire opera on stage for the first time with the Louisville Orchestra in the pit of the Brown Theatre. The singers will generally sit down or just stand rather than go through the stage blocking.

This special moment is happening for Kentucky Opera tonight. Up until now, the main stage singers have been rehearsing during the day in the 2nd floor rehearsal room, the chorus rehearses in the evening in the same space, and the orchestra has rehearsed on stage rather than in the orchestra pit.

Tonight we will hear how the voices blend with the orchestra. Most of the guest artists have only SEEN the stage. Tonight they will hear how their voices resonate in the hall. The conductor, Joe Mechavich, will be in the pit with the musicians. The director, our very own David Roth, will sit in the middle of the house with a note taker. Stage management will be back stage, making sure artists are ready, preparing cues and ready to halt the action if something needs tweeking.

Customarily, the rehearsal following the Sitz, is the wandleprobe. I bet you can guess what that means. It means singers may not sing full voice or "mark" but they will add the blocking and maybe there will be more props and they might try costume changes. Lighting cues will be refined. All of this requires the strict coordination of the stage management team. More on them next time.

Madame Butterfly

Madame Butterfly is by far one of the most popular operas in the entire repetiore. There are a million reasons to love this opera, the story, the music, the history.

The Kentucky Center for the Arts posts "Staff Pics" on their blog, This month, Madame Butterfly is Jeffery Jamners' Staff Pic. Here's why...

NEW YORK STORIES Makes House Calls

The Courier Journal's Katya Cengle had the distinct honor of joining the Patron's Circle for a night of guerrilla opera. Daron Hagen's New York Stories was a part of Kentucky Opera's Composer Workshop program and Opera America's National Opera Week celebration.


Our Studio Artists: Brandy Hawkins, Gabriel Preisser, Andrea Shokery, Daniel Anderson and Tomasz Paweł Sadownik were joined by UofL School of Music Students Erin Keesy and Ricky Case to perform his trillogy in three homes of downtown Louisville.
Click HERE to read the whole story.
In case you missed the previous post, which includes a video interview with the compser and an excerpt from one of the three operas, click HERE.

New York Stories

On Halloween weekend, a privileged few got a special treat. After a week of intensive workshops, Kentucky Opera studio artists performed Daron Hagen’s New York Stories in three downtown homes as a part of Opera America’s National Opera Week. The three short operas have all been performed in concert; and the first has been staged several times. But this is the first time that composer Hagen has seen them all performed together. Hagen suggested site-specifc stagings in private homes, and directed the staging of all three..

Andrea Shokery and Gabriel Preisser performed Broken Pieces at Phil and Kathy Scherer’s lovely home at Preston Pointe. The 50 or so guests were served a glass of wine and sat back to watch what happened next. The opera started from an upstairs bedroom and meandered throughout the entire open space.
Daron Hagen tells the story in this video.



I will get the other videos up as soon as they are ready.

Life as a Kentucky Opera Studio Artist

Our Studio Artists have been getting quite the work out. Not only were they all involved with The Elixir of Love, they were also preparing for Barber of Seville for Owensboro, preparing for the Composers workshop and taking classes all over the city. They had an acting class at Actors Theatre, and a stage combat class with the Fraizier International History Museum.

Gabe Preisser is our baritone who submitted this blog post about the combat class.

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Dan & Tomasz



Kentucky Opera Studio Artists along with their fearless leader of education Deanna Hoying went to the Frazier International History Museum to undergo a quick and dirty workshop in stage combat with the Curator of Historic Interpretations, J. Barret Cooper (He is also the combat choreographer for Kentucky Opera. You may have seen his work in recent operas such as Otello, Pirates of Penzance and Lucia di Lammermoore to name a few). The course focused primarily on the use of swords on stage beginning with a brief history of the sword ranging from the broad sword to rapiers and more.







After the lecture the fun began. First an overview of the basic sword positions or guards including the fool's guard, the plow, and a personal favorite the woman's guard. For safety reasons the brave novices began first practicing with just their arms (fighting to the death), then with fake wooden swords, then the real deal-AHHH! Don't worry mom the swords were rather blunt although the instructor assured us we could get badly hurt if not safe. So, safety first.



We learned the basics of communicating with your partner or opponent and maintaining distance so as never to get close enough to put yourself or your faux foe in real danger. J. Barrett was super animated and passionate about his craft making the workshop a truly enjoyable and educational experience as you can see from the pictures.



For those who were able to stay, there was an impressive demonstration given by our instructor and his partner, Jeremy White, showing several combinations of attacks and guards. Of course they had much more practice then mere operatic amateurs, so it was quite impressive. Overall, the workshop was extremely helpful in introducing a common practice on the operatic stage.

Several operas such as Verdi's Macbeth , Gounod's Romeo and Juliette, and Mozart's Don Giovanni call for sword play in the script not just with the men but even the deranged Lady Macbeth with her dagger or the common Mozartian pants role (i.e. a woman playing a man's part). Just goes to show everyone likes a good sword fight!

J. Barrett Cooper (looking back) was an excellent instructor!

You can see Gabe perform Figaro in the Barber of Seville with the Owensboro Symphony Orchestra on November 6. Get your tickets here while you can!

He will also particpate in the FREE AND OPEN TO THE PUBLIC Compsoser Workshop Recital at Comstock Hall on Sunday, October 31 at 3PM.

Elixir Final Dress Rehearsal Video

Clips from the dress rehearsal of Kentucky Opera's performance of The Elixir of Love.
It's going to be a fun production, tickets are still availalbe!
Call 5020.584.7777 or click here.




Selena Frye from Louisville.com was at the rehearsal and seemed to really enjoy herself.
Read her rehearsal review here.

Loving the Elixir

If you haven't heard that Kentucky Opera is doing the Elixir of Love, you must be living under a rock.  Tickets are still available by calling 502.584.7777 or click here.

Emily Albrink as Adina and Victor Ryan Robertson as Nemorino in Elixir of Love. Photo by J. David Levy.

Jeffery Lee Pucket takes a stab at writing on opera for the Courier Journal.

Bill Doolittle chatted with Louisville native Emily Albrink in this weeks LEO Weekly

Selena Frye talked to University of Louisville School of Music Graduate on Louisville.com.

You can still catch the Lunch & Listen we recorded at WUOL on MetroTV this week. 
10/20 at 8pm; 10/21 at 1am & 10am; 10/22 at 1am; 1023 at 4:30pm and 8pm; 10/24 at 1am.
See the entire MetroTV schedule here.

Maestro Joe Mechavich sat down with us last week to talk about The Elixir of Love, the Louisville Orchestra and the wonderful cast perfroming this weekend.